I have recently developed an interest in magic myself. Not in performing it, I hasten to say, but in watching it and in analysing its techniques. My curiosity was initially sparked by being given free tickets to a couple of fabulous magic shows in Las Vegas a couple of years ago. Inspired by those shows, I decided to include a little bit of magic in my latest novel, London Calling, (yes, I hope I will soon be announcing a publication date!)
Earlier this year we went to see Derren Brown. We were blown away by his illusions, mind trickery and sleight of hand. We’ve also recently seen the excellent magician Ian Keable, (thank you, Ian, for the helpful tips,) and last week we went to a show by Morgan and West (don’t miss them if they are on in your area).
All these shows are completely different. But they all struck a chord with me as a novelist. This initially puzzled me. But now I understand why.
It has taken me a while to realise that a novel is, in itself, a little bit of magic. A good novelist is creating an illusion, something from nothing, something that doesn’t exist but which seems (hopefully) incredibly real to the reader. With structural trickery, and linguistic sleight of hand, we pull our readers into our web of benign deceit. We employ ruses, clues, secrets, bluff and misdirection (or Miss Direction as the young character in my book calls it!) Like magicians we pull the wool over our readers eyes, hypnotising them into believing that they are not just looking at words on a page, but are miraculously entering a whole new dimension, peopled by characters they almost (if all goes well) think really exist, and experiencing emotions that we have apparently conjured from nowhere.
When it comes down to it, writing fiction is one big confidence trick. And whether it is successful or not depends on the extent to which the author can convince the reader that the illusionary world they have created is not only worth entering but also worth believing in.
Derren Brown is so supremely confident in his techniques and the power he creates over his audiences that he is able convince them that he is dealing with the supernatural, mind-reading or talking to the dead, even while he is explaining that it is all trickery. (See his book Tricks of the Mind.)
Some novelists use a similar technique, employing an authorial voice to address the reader directly, while simultaneously ensuring that the reader engages with the characters they are discussing. Others rely on the illusion of watching characters act out their story. Others draw their readers into their characters heads by telling the story in the first person. The methods vary, but the overall trickery doesn’t. Perhaps what I’m really saying is that novelists ought to be admitted to the Magic Circle!